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  Eighteen Years, Seven Records, Three Chords
  By J.J.Staszowkski
  In these days of "Ice Beer" and clear malt liquor, it's good to know you can still get a big blue drink. Something with soul, wit, charm, and juice. Which is what Peter Zaremba is, metaphorically speaking. Even when he's nursing a shot of Scotch in No-Tell Motel on Avenue A, his demeanour bespeaks a Blue Whale cocktail. This is appropriate, because Zaremba and his band, the Fleshtones, are known traffickers in Blue Whales. Legend has it they've even invited whole audiences back to their hotel to partake in tubs full of the frosty thirst quencher. "We believe in making people happy, ourselves included," says Zaremba, the Fleshtones' swank, tambourine-shaking, love-bead-wearing front man. "And that does not preclude one's mind working.

The band has - over eighteen years, seven albums and countless tours - perfected an outré but winning breed of garage punk. Call it "Super-Rock." The Fleshtones do, and they'll play it almost anywhere, anytime. A testament: They once backed Sir Ian McKellen reciting Shakespeare's Sonnet No.20 on the last episode of Andy Warhol's cable-access show Fifteen Minutes. "We invited him to the Pyramid Club later that night," says Zaremba, "and he came."

Zaremba a habitué of the East Village since the glory days of New York punk, has seen his audience grow more fickle. "It's not a rock-and-roll city," he says without rancour. Yet the Fleshtones frug on, always at least one step shy of becoming party-rock-all-stars. They've got a new record, Beautiful Light (Naked Language/Ichiban), and the band plays Wetlands this Wednesday, March 30. From there, who knows? "Sometimes I say, 'Lord, how long can this go on?" Zaremba laments as Crazy Guggenheim and Connie Francis stare over his shoulder from record jackets tacked to the bar wall. "I'd rather be happy than hip."

  © 1994 J.J.Staszowkski, New York. [ Top of Page ]
   
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